Robert, you’ve mentioned White Material as your entry into Claire’s films. What about it drew you to work with her? Were your impressions of how she worked with actors to inhabit their physicality and drop their self-consciousness accurate?
Robert Pattinson: When I watched White Material, it was on at two in the morning in Louisiana. I was shooting the last Twilight movie, and I had been asleep when I woke up, and the film had already started. It was really unusual for the film to be on that channel in the first place. And to wake up to it—it sort of felt like transitioning from being in a dream to being in the movie. I just remember the image of Isabelle Huppert holding onto the back of the truck. It’s just such a striking image. It’s weird, but it almost makes more sense now, to show the strength of her femininity. It’s not like she’s wearing armor trying to look like a guy, but she looks so powerful as her skirt blows up in the wind behind her. You could see there was something going wrong, but the expression on her face—you know immediately that she’s a dynamo. I just love that performance.
I remember sending an email to my agent that night at four in the morning saying that Claire Denis is “the one.” I talked to someone else, and they were like, “Claire has done loads of movies, what are you talking about?” But there was something about it that felt new. There was something about it, the performances first, that made it feel like it had to be made. That’s what I look for in directors.
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